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Raffaello Sanzio
Angelo
Sanguigna su carta
20.3 x 22.5 cm.
ca. 1515
Collocazione Teylers Museum, Haarlem

Raffaello Sanzio

Angelo

Sanguigna su carta

20.3 x 22.5 cm.

ca. 1515

Collocazione Teylers Museum, Haarlem

Herbert James Draper (1864-1920)
Study for Prospero Summoning Nymphs and Deities (Study of Children and Air Spirits)
Chalk on paper
ca. 1902

Herbert James Draper (1864-1920)

Study for Prospero Summoning Nymphs and Deities (Study of Children and Air Spirits)

Chalk on paper

ca. 1902

Roberto Ferri
carboncino su carta I

Roberto Ferri

carboncino su carta I

George Lawrence Bulleid
Binding the Fillet
Watercolor
1858-1933
est. 31 cm x 45.7 cm

George Lawrence Bulleid

Binding the Fillet

Watercolor

1858-1933

est. 31 cm x 45.7 cm

Jusepe de Ribera (Lo Spagnoletto)
Study for a Crucifixion of St. Peter
Pen and brown ink on off-white paper
1591-1652
5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

Jusepe de Ribera (Lo Spagnoletto)

Study for a Crucifixion of St. Peter

Pen and brown ink on off-white paper

1591-1652

5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

William McGregor Paxton (American, 1869-1941)
Study for Nausicaa
Charcoal heightened with white on tan paper
1933
Signed and dated in pencil L.R.: Paxton / Jan 15 1933

William McGregor Paxton (American, 1869-1941)

Study for Nausicaa

Charcoal heightened with white on tan paper

1933

Signed and dated in pencil L.R.: Paxton / Jan 15 1933

Auguste Renoir (French, 1841-1919)
Portrait of Séverine
Charcoal and unfixed pastel on paper
1885-7
23 1/2 x 18 1/4 in. (59.7 x 46.4 cm.)

Auguste Renoir (French, 1841-1919)

Portrait of Séverine

Charcoal and unfixed pastel on paper

1885-7

23 1/2 x 18 1/4 in. (59.7 x 46.4 cm.)

Nikolai Blokhin (Russian)
Sketch (no title)
Paper, sauce
2008

Nikolai Blokhin (Russian)

Sketch (no title)

Paper, sauce

2008

Evan Kitson
Study of a Skull
Graphite on paper
2013

Evan Kitson

Study of a Skull

Graphite on paper

2013

Edgar Degas
Self-Portrait
Black chalk and graphite, heightened with white on heavy beige wove paper
by 1857
11 3/4 x 9 1/8 in. (29.8 x 23.1 cm)

Edgar Degas

Self-Portrait

Black chalk and graphite, heightened with white on heavy beige wove paper

by 1857

11 3/4 x 9 1/8 in. (29.8 x 23.1 cm)

Jacopo Pontormo (Italian Mannerist)
Study of Angel for the Annunciation (Capponi Chapel)
c. 1527-1528
Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.
15 3/8 x 8 1/2 in. 
Uffizi, Florence, Italy.
 

Jacopo Pontormo (Italian Mannerist)

Study of Angel for the Annunciation (Capponi Chapel)

c. 1527-1528

Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.

15 3/8 x 8 1/2 in.

Uffizi, Florence, Italy.

 

Michelangelo Buonarroti
Male Nude, Seen from the Rear (recto) 
Black chalk, pen and brown ink
260 x 170 mm
1503-04

Michelangelo Buonarroti

Male Nude, Seen from the Rear (recto)

Black chalk, pen and brown ink

260 x 170 mm

1503-04

Raffaello Sanzio
Angelo
Sanguigna su carta
20.3 x 22.5 cm.
ca. 1515
Collocazione Teylers Museum, Haarlem

Raffaello Sanzio

Angelo

Sanguigna su carta

20.3 x 22.5 cm.

ca. 1515

Collocazione Teylers Museum, Haarlem

Herbert James Draper (1864-1920)
Study for Prospero Summoning Nymphs and Deities (Study of Children and Air Spirits)
Chalk on paper
ca. 1902

Herbert James Draper (1864-1920)

Study for Prospero Summoning Nymphs and Deities (Study of Children and Air Spirits)

Chalk on paper

ca. 1902

Roberto Ferri
carboncino su carta I

Roberto Ferri

carboncino su carta I

George Lawrence Bulleid
Binding the Fillet
Watercolor
1858-1933
est. 31 cm x 45.7 cm

George Lawrence Bulleid

Binding the Fillet

Watercolor

1858-1933

est. 31 cm x 45.7 cm

Jusepe de Ribera (Lo Spagnoletto)
Study for a Crucifixion of St. Peter
Pen and brown ink on off-white paper
1591-1652
5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

Jusepe de Ribera (Lo Spagnoletto)

Study for a Crucifixion of St. Peter

Pen and brown ink on off-white paper

1591-1652

5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

William McGregor Paxton (American, 1869-1941)
Study for Nausicaa
Charcoal heightened with white on tan paper
1933
Signed and dated in pencil L.R.: Paxton / Jan 15 1933

William McGregor Paxton (American, 1869-1941)

Study for Nausicaa

Charcoal heightened with white on tan paper

1933

Signed and dated in pencil L.R.: Paxton / Jan 15 1933

Auguste Renoir (French, 1841-1919)
Portrait of Séverine
Charcoal and unfixed pastel on paper
1885-7
23 1/2 x 18 1/4 in. (59.7 x 46.4 cm.)

Auguste Renoir (French, 1841-1919)

Portrait of Séverine

Charcoal and unfixed pastel on paper

1885-7

23 1/2 x 18 1/4 in. (59.7 x 46.4 cm.)

Nikolai Blokhin (Russian)
Sketch (no title)
Paper, sauce
2008

Nikolai Blokhin (Russian)

Sketch (no title)

Paper, sauce

2008

Evan Kitson
Study of a Skull
Graphite on paper
2013

Evan Kitson

Study of a Skull

Graphite on paper

2013

Edgar Degas
Self-Portrait
Black chalk and graphite, heightened with white on heavy beige wove paper
by 1857
11 3/4 x 9 1/8 in. (29.8 x 23.1 cm)

Edgar Degas

Self-Portrait

Black chalk and graphite, heightened with white on heavy beige wove paper

by 1857

11 3/4 x 9 1/8 in. (29.8 x 23.1 cm)

Jacopo Pontormo (Italian Mannerist)
Study of Angel for the Annunciation (Capponi Chapel)
c. 1527-1528
Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.
15 3/8 x 8 1/2 in. 
Uffizi, Florence, Italy.
 

Jacopo Pontormo (Italian Mannerist)

Study of Angel for the Annunciation (Capponi Chapel)

c. 1527-1528

Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.

15 3/8 x 8 1/2 in.

Uffizi, Florence, Italy.

 

Michelangelo Buonarroti
Male Nude, Seen from the Rear (recto) 
Black chalk, pen and brown ink
260 x 170 mm
1503-04

Michelangelo Buonarroti

Male Nude, Seen from the Rear (recto)

Black chalk, pen and brown ink

260 x 170 mm

1503-04

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Created by Sara Buckley