William McGregor Paxton (American, 1869-1941) Study for Nausicaa Charcoal heightened with white on tan paper 1933 Signed and dated in pencil L.R.: Paxton / Jan 15 1933

William McGregor Paxton (American, 1869-1941)

Study for Nausicaa

Charcoal heightened with white on tan paper

1933

Signed and dated in pencil L.R.: Paxton / Jan 15 1933

1 month ago  28 notes View high resolution

Silvio Consadori (Italian 1909-1994) Study for Jesus Bound to the Column Charcoal and sanguine on white paper glued to cardboard cm. 39 x 48,5 1959

Silvio Consadori (Italian 1909-1994)

Study for Jesus Bound to the Column

Charcoal and sanguine on white paper glued to cardboard

cm. 39 x 48,5

1959

10 months ago  3 notes View high resolution

Isabel Bishop Tidying Up Oil on masonite 15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed) 1941 ~ Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

Isabel Bishop
Tidying Up
Oil on masonite
15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed)
1941
~
Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

10 months ago  18 notes View high resolution

William McGregor Paxton (American, 1869-1941) Study for Nausicaa Charcoal heightened with white on tan paper 1933 Signed and dated in pencil L.R.: Paxton / Jan 15 1933

William McGregor Paxton (American, 1869-1941)

Study for Nausicaa

Charcoal heightened with white on tan paper

1933

Signed and dated in pencil L.R.: Paxton / Jan 15 1933

Silvio Consadori (Italian 1909-1994) Study for Jesus Bound to the Column Charcoal and sanguine on white paper glued to cardboard cm. 39 x 48,5 1959

Silvio Consadori (Italian 1909-1994)

Study for Jesus Bound to the Column

Charcoal and sanguine on white paper glued to cardboard

cm. 39 x 48,5

1959

Isabel Bishop Tidying Up Oil on masonite 15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed) 1941 ~ Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

Isabel Bishop
Tidying Up
Oil on masonite
15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed)
1941
~
Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

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Created by Sara Buckley