Raffaello Sanzio
Angelo
Sanguigna su carta
20.3 x 22.5 cm.
ca. 1515
Collocazione Teylers Museum, Haarlem

Raffaello Sanzio

Angelo

Sanguigna su carta

20.3 x 22.5 cm.

ca. 1515

Collocazione Teylers Museum, Haarlem

Jacopo Pontormo (Italian Mannerist)
Study of Angel for the Annunciation (Capponi Chapel)
c. 1527-1528
Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.
15 3/8 x 8 1/2 in. 
Uffizi, Florence, Italy.
 

Jacopo Pontormo (Italian Mannerist)

Study of Angel for the Annunciation (Capponi Chapel)

c. 1527-1528

Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.

15 3/8 x 8 1/2 in.

Uffizi, Florence, Italy.

 

Michelangelo Buonarroti
Male Nude, Seen from the Rear (recto) 
Black chalk, pen and brown ink
260 x 170 mm
1503-04

Michelangelo Buonarroti

Male Nude, Seen from the Rear (recto)

Black chalk, pen and brown ink

260 x 170 mm

1503-04

Martin Schongauer (1450-1491)
A Foolish Virgin
Engraving
143 mm (5.63 in) x 108 mm (4.25 in)
1480s

Martin Schongauer (1450-1491)

A Foolish Virgin

Engraving

143 mm (5.63 in) x 108 mm (4.25 in)

1480s

Federico Barocci
Studies for the Hands of the Virgin Mary for the Annunciation
Staatliche Museen zu Berlin, Kupferstichkabinett

Federico Barocci

Studies for the Hands of the Virgin Mary for the Annunciation

Staatliche Museen zu Berlin, Kupferstichkabinett

Federico Barocci
Studies of a man’s head and of his hands
Black chalk, highlighted with white chalk and touches of red chalk, on blue-gray paper
11 x 16-1/4 in. (28 x 41.3 cm)
ca. 1592–99

Federico Barocci

Studies of a man’s head and of his hands

Black chalk, highlighted with white chalk and touches of red chalk, on blue-gray paper

11 x 16-1/4 in. (28 x 41.3 cm)

ca. 1592–99

Raffaello Sanzio
Suicide of Lucretia
Pen and brown ink over black chalk, partially incised with a stylus; rubbed with black chalk for transfer
1483–1520
39.7 x 29.2 cm.

Raffaello Sanzio

Suicide of Lucretia

Pen and brown ink over black chalk, partially incised with a stylus; rubbed with black chalk for transfer

1483–1520

39.7 x 29.2 cm.

Michelangelo Buonarroti
Study; Dorsal view of a man
Red pencil on paper
1504

Michelangelo Buonarroti

Study; Dorsal view of a man

Red pencil on paper

1504

Albrecht Dürer

First Image: Hand with a book

Second: Hands of Emperor Maximilian I

Watercolor and gouache on blue paper

1506

Raffaello Sanzio da Urbino, called Raphael
Study for the Madonna Alba
15th century

Raffaello Sanzio da Urbino, called Raphael

Study for the Madonna Alba

15th century

after Raffaello Sanzio, called Raphael
Guard Drawing His Sword
17th century

after Raffaello Sanzio, called Raphael

Guard Drawing His Sword

17th century

Federico Barocci
Head of a man
16th century

Federico Barocci

Head of a man

16th century

Raffaello Sanzio
Angelo
Sanguigna su carta
20.3 x 22.5 cm.
ca. 1515
Collocazione Teylers Museum, Haarlem

Raffaello Sanzio

Angelo

Sanguigna su carta

20.3 x 22.5 cm.

ca. 1515

Collocazione Teylers Museum, Haarlem

Jacopo Pontormo (Italian Mannerist)
Study of Angel for the Annunciation (Capponi Chapel)
c. 1527-1528
Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.
15 3/8 x 8 1/2 in. 
Uffizi, Florence, Italy.
 

Jacopo Pontormo (Italian Mannerist)

Study of Angel for the Annunciation (Capponi Chapel)

c. 1527-1528

Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.

15 3/8 x 8 1/2 in.

Uffizi, Florence, Italy.

 

Michelangelo Buonarroti
Male Nude, Seen from the Rear (recto) 
Black chalk, pen and brown ink
260 x 170 mm
1503-04

Michelangelo Buonarroti

Male Nude, Seen from the Rear (recto)

Black chalk, pen and brown ink

260 x 170 mm

1503-04

Martin Schongauer (1450-1491)
A Foolish Virgin
Engraving
143 mm (5.63 in) x 108 mm (4.25 in)
1480s

Martin Schongauer (1450-1491)

A Foolish Virgin

Engraving

143 mm (5.63 in) x 108 mm (4.25 in)

1480s

Federico Barocci
Studies for the Hands of the Virgin Mary for the Annunciation
Staatliche Museen zu Berlin, Kupferstichkabinett

Federico Barocci

Studies for the Hands of the Virgin Mary for the Annunciation

Staatliche Museen zu Berlin, Kupferstichkabinett

Federico Barocci
Studies of a man’s head and of his hands
Black chalk, highlighted with white chalk and touches of red chalk, on blue-gray paper
11 x 16-1/4 in. (28 x 41.3 cm)
ca. 1592–99

Federico Barocci

Studies of a man’s head and of his hands

Black chalk, highlighted with white chalk and touches of red chalk, on blue-gray paper

11 x 16-1/4 in. (28 x 41.3 cm)

ca. 1592–99

Raffaello Sanzio
Suicide of Lucretia
Pen and brown ink over black chalk, partially incised with a stylus; rubbed with black chalk for transfer
1483–1520
39.7 x 29.2 cm.

Raffaello Sanzio

Suicide of Lucretia

Pen and brown ink over black chalk, partially incised with a stylus; rubbed with black chalk for transfer

1483–1520

39.7 x 29.2 cm.

Michelangelo Buonarroti
Study; Dorsal view of a man
Red pencil on paper
1504

Michelangelo Buonarroti

Study; Dorsal view of a man

Red pencil on paper

1504

Albrecht Dürer

First Image: Hand with a book

Second: Hands of Emperor Maximilian I

Watercolor and gouache on blue paper

1506

Raffaello Sanzio da Urbino, called Raphael
Study for the Madonna Alba
15th century

Raffaello Sanzio da Urbino, called Raphael

Study for the Madonna Alba

15th century

after Raffaello Sanzio, called Raphael
Guard Drawing His Sword
17th century

after Raffaello Sanzio, called Raphael

Guard Drawing His Sword

17th century

Federico Barocci
Head of a man
16th century

Federico Barocci

Head of a man

16th century

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Created by Sara Buckley