Silvio Consadori (Italian 1909-1994)
Study for Jesus Bound to the Column
Charcoal and sanguine on white paper glued to cardboard
cm. 39 x 48,5
1959

Silvio Consadori (Italian 1909-1994)

Study for Jesus Bound to the Column

Charcoal and sanguine on white paper glued to cardboard

cm. 39 x 48,5

1959

Isabel Bishop
Tidying Up
Oil on masonite

15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed)
1941
~
Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

Isabel Bishop
Tidying Up
Oil on masonite
15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed)
1941
~
Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

Alexei Harlamov, also Harlamoff (French translation)
Study
Late 19th- to early 20th century

Alexei Harlamov, also Harlamoff (French translation)

Study

Late 19th- to early 20th century

Henry Ossawa Tanner
Study of two hands
early 20th cen.

Henry Ossawa Tanner

Study of two hands

early 20th cen.

Silvio Consadori (Italian 1909-1994)
Study for Jesus Bound to the Column
Charcoal and sanguine on white paper glued to cardboard
cm. 39 x 48,5
1959

Silvio Consadori (Italian 1909-1994)

Study for Jesus Bound to the Column

Charcoal and sanguine on white paper glued to cardboard

cm. 39 x 48,5

1959

Isabel Bishop
Tidying Up
Oil on masonite

15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed)
1941
~
Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

Isabel Bishop
Tidying Up
Oil on masonite
15 x 11 1/2 in. 23 1/8 x 19 7/8 in. (framed)
1941
~
Bishop was influenced by the Flemish baroque painters, specifically Rubens. Her use of transparent sepia tones achieves a vibrating effect when paired with her brushstrokes, and, at the same time, hails the old master drawings of the Italian Renaissance.

Alexei Harlamov, also Harlamoff (French translation)
Study
Late 19th- to early 20th century

Alexei Harlamov, also Harlamoff (French translation)

Study

Late 19th- to early 20th century

Henry Ossawa Tanner
Study of two hands
early 20th cen.

Henry Ossawa Tanner

Study of two hands

early 20th cen.

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Created by Sara Buckley