Raffaello Sanzio
Angelo
Sanguigna su carta
20.3 x 22.5 cm.
ca. 1515
Collocazione Teylers Museum, Haarlem

Raffaello Sanzio

Angelo

Sanguigna su carta

20.3 x 22.5 cm.

ca. 1515

Collocazione Teylers Museum, Haarlem

Roberto Ferri
carboncino su carta I

Roberto Ferri

carboncino su carta I

George Lawrence Bulleid
Binding the Fillet
Watercolor
1858-1933
est. 31 cm x 45.7 cm

George Lawrence Bulleid

Binding the Fillet

Watercolor

1858-1933

est. 31 cm x 45.7 cm

Jusepe de Ribera (Lo Spagnoletto)
Study for a Crucifixion of St. Peter
Pen and brown ink on off-white paper
1591-1652
5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

Jusepe de Ribera (Lo Spagnoletto)

Study for a Crucifixion of St. Peter

Pen and brown ink on off-white paper

1591-1652

5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

William McGregor Paxton (American, 1869-1941)
Study for Nausicaa
Charcoal heightened with white on tan paper
1933
Signed and dated in pencil L.R.: Paxton / Jan 15 1933

William McGregor Paxton (American, 1869-1941)

Study for Nausicaa

Charcoal heightened with white on tan paper

1933

Signed and dated in pencil L.R.: Paxton / Jan 15 1933

Nikolai Blokhin (Russian)
Sketch (no title)
Paper, sauce
2008

Nikolai Blokhin (Russian)

Sketch (no title)

Paper, sauce

2008

Jacopo Pontormo (Italian Mannerist)
Study of Angel for the Annunciation (Capponi Chapel)
c. 1527-1528
Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.
15 3/8 x 8 1/2 in. 
Uffizi, Florence, Italy.
 

Jacopo Pontormo (Italian Mannerist)

Study of Angel for the Annunciation (Capponi Chapel)

c. 1527-1528

Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.

15 3/8 x 8 1/2 in.

Uffizi, Florence, Italy.

 

Juliette Aristides
Olympus
Sepia pencil and charcoal
22/18”

Juliette Aristides

Olympus

Sepia pencil and charcoal

22/18”

Juliette Aristides
Constance
Charcoal heightened with white chalk
26/20”
Contemporary art

Juliette Aristides

Constance

Charcoal heightened with white chalk

26/20”

Contemporary art

William Mulready
Female nude seen in three-quarters from behind
Black and red chalk on paper, medium paper, laid down
19th century

William Mulready

Female nude seen in three-quarters from behind

Black and red chalk on paper, medium paper, laid down

19th century

Raffaello Sanzio
Angelo
Sanguigna su carta
20.3 x 22.5 cm.
ca. 1515
Collocazione Teylers Museum, Haarlem

Raffaello Sanzio

Angelo

Sanguigna su carta

20.3 x 22.5 cm.

ca. 1515

Collocazione Teylers Museum, Haarlem

Roberto Ferri
carboncino su carta I

Roberto Ferri

carboncino su carta I

George Lawrence Bulleid
Binding the Fillet
Watercolor
1858-1933
est. 31 cm x 45.7 cm

George Lawrence Bulleid

Binding the Fillet

Watercolor

1858-1933

est. 31 cm x 45.7 cm

Jusepe de Ribera (Lo Spagnoletto)
Study for a Crucifixion of St. Peter
Pen and brown ink on off-white paper
1591-1652
5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

Jusepe de Ribera (Lo Spagnoletto)

Study for a Crucifixion of St. Peter

Pen and brown ink on off-white paper

1591-1652

5-11/16 x 6-5/8 in. (14.4 x 16.8 cm)

William McGregor Paxton (American, 1869-1941)
Study for Nausicaa
Charcoal heightened with white on tan paper
1933
Signed and dated in pencil L.R.: Paxton / Jan 15 1933

William McGregor Paxton (American, 1869-1941)

Study for Nausicaa

Charcoal heightened with white on tan paper

1933

Signed and dated in pencil L.R.: Paxton / Jan 15 1933

Nikolai Blokhin (Russian)
Sketch (no title)
Paper, sauce
2008

Nikolai Blokhin (Russian)

Sketch (no title)

Paper, sauce

2008

Jacopo Pontormo (Italian Mannerist)
Study of Angel for the Annunciation (Capponi Chapel)
c. 1527-1528
Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.
15 3/8 x 8 1/2 in. 
Uffizi, Florence, Italy.
 

Jacopo Pontormo (Italian Mannerist)

Study of Angel for the Annunciation (Capponi Chapel)

c. 1527-1528

Black chalk and yellowish brown ink wash over traces of red chalk, heightened with traces of white, on paper.

15 3/8 x 8 1/2 in.

Uffizi, Florence, Italy.

 

Juliette Aristides
Olympus
Sepia pencil and charcoal
22/18”

Juliette Aristides

Olympus

Sepia pencil and charcoal

22/18”

Juliette Aristides
Constance
Charcoal heightened with white chalk
26/20”
Contemporary art

Juliette Aristides

Constance

Charcoal heightened with white chalk

26/20”

Contemporary art

William Mulready
Female nude seen in three-quarters from behind
Black and red chalk on paper, medium paper, laid down
19th century

William Mulready

Female nude seen in three-quarters from behind

Black and red chalk on paper, medium paper, laid down

19th century

About:

Created by Sara Buckley